![]() Traditionally, modern art refers to art created between 1870-1970. However, there aren’t boundaries of time defining the modern art period. Many people believe modern art refers to new art created in the current decade. Inlet Scene with Sailboat and Clam Rakers by Andre Hambourg One of them being the modern art movement. ![]() This period of innovation and change paved the way for new and fresh ideas. Cities prospered as people poured in for industrial jobs. New production and transportation expanded the world and how people saw it. The Industrial Revolution was a period of rapid changes that affected how people lived, worked, and traveled. However, modern art took a bigger form during the transformative 19th century. They artists were coined “moderns”, although they would later call themselves Impressionists. The works these artists created went against the norm of the art industry. Several artists from this area were fed up with traditional art methods. The origins of modern art can be traced back all the way to 1863. ![]() We’ll go over the origins, characteristics, and important movements within the magnificent modern era. This article covers the history and legacy of the modern art movement. What began with simple, visible brush strokes turned into a movement that changed the art industry forever. It portrayed the beauty in the ordinary and the power in the unfiltered. His original work can be found in private collections and institutions worldwide and has been shown in solo exhibitions in Tokyo to LA, London to New York.Modern art painted the path to deep, raw, and emotional art. Martin's work is seen at festivals, in projects and on walls globally. Whether immersing entirely or embellishing a detail, the images disappear beneath expressive, spray-painted strokes of assorted colours and textures. True to form, no grey space stays grey for long in Martin's presence. The ashen tones of the compositions and vacant backgrounds are reminiscent of his alternative canvas, concrete. Almost stylised, these minimal figures are constructed of a few layers of hand-cut stencils. Delicate and organic characters feature butterflies, ballerinas and animals all rendered in empty grayscale space. With as many works on walls as on canvas and paper, each piece's relationship between vulnerability and strength remains constant. This balance would come to define his creative approach. The evolution moved him closer to a simple yet effective aesthetic he believed could bridge the gap between the passion and spontaneity graffiti held for him, with the fragility and transience of nature. In the early 2000s, this interest in layers became more literal with the introduction of stencils into his work. The same deconstructive processes are seen in his creative influences of Jose Parla and Cy Twombly. The physical architecture of the city was a constant inspiration, the elaboration and destruction of each generation contributing to the urban infrastructure. Growing up in Oslo, Norway, Martin was an active part of the emerging graffiti scene of the early '90s, which maintained zero tolerance. His works mirror the rise and fall of the streets, as he symbolically recreates the urban environment, then vandalises it to reveal his vibrant transformations. Over the past decade, Martin has developed an unmistakable aesthetic combining abstract movement with figurative stencilled compositions. Martin Whatson (b.1984) is a Norwegian street artist known for his calligraphic scribbles in grayscale voids.
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